![]() The director aimed at courting mainstream audiences, a strategy that worked in “Hairspray,” but failed in “Polyester.” Juxtaposing bloody murders with Beaver backgrounds, “Serial Mom” reflects a compromise between Waters’ early gross-outs and a new, more polished look. The movie is as much a satire of TV sitcoms as an ode to them. Waters built into “Serial Mom” the affection that audiences must have felt for TV shows like “Leave It to Beaver” and “Ozzie and Harriet.” He wanted the viewers to fantasize about the off-screen lives of the persona of those shows-to speculate about them as “real” human beings. The result was “ Serial Mom,” in 1994, a likable but soft satire of suburbanism. After making a movie about every decade he has lived in, Waters went back to a more contemporary humor with a story that takes place in the “real” world.
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